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This experimental improv ritual theatre has been in various forms producing events for nearly a decade.  Primarily, the productions are stories of dreams; how we dream, what we dream, why we dream, and now, how to cast a dream in order to create a specific event.  The theatre uses only light scripting, and instead relies mostly on the improvisation of specific ideas in order to create an authentic, inspiring, always original and synchronistic experience for the audience.  Using a variety of techniques, the group, sometimes with only a single actor, performs with large and small paper mache masks, mobile puppet theatres, dance, voice, and modern video projections.

            In effect, this theatre brings art to a place of divine inspiration, realigns art with the sacred (without any particular dogma), and reveals forms to “awaken the senses”. Its primary function is to create a “spatial” event rather than a “linear” event, guiding the audience to consider and perceive consciousness in a new manner. Manifesting art in a ritual manner, this production reveals the capacity to see art beyond celebrity and commodity, and in a way that aligns the viewer with an opportunity to see art as a spiritual practice, a way of being, and an expression of intentions—where art is simply a way of living life as beautifully as possible.

video ~ dance ~ art ~ ritual ~ puppets ~ music	el mago	cambia el sueno teatro	teatro del calle